Whether you were a budding musician or a veteran recording artist in the ’80s, it seemed that there was a collective decision to head to the local pawn shop to trade in your guitar for a synthesizer, keyboard, or something else without strings (yes, even Van Halen dabbled. See the hook from their 1983 smash hit “Jump”). This resulted in a frenetic style of popular music in the ’80s that was varying degrees of groundbreaking, embarrassing, and just plain confusing. You probably have a few artists in mind that fit one or maybe even all of those criteria, but we’re betting you don’t know all of the ’80s bands, duos, and groups who had massive mainstream success in the decade. Here are 25 huge bands from the ’80s you probably forgot about. And for more pop culture from the past you may have wiped from your memory, check out 30 Celebrities You Forgot Were in Horror Movies. In the ashes of his previous project, Timex Social Club, record producer Jay King formed this California R&B band—French for “new club”—in 1986. Combining elements of funk and disco that translated to success on the Billboard charts, the band had a handful of hits, including “Why You Treat Me So Bad” and a cover of the Bill Withers’ classic “Lean of Me.” But, after some lineup changes in the late ’80s, Club Nouveau lost steam and broke up shortly thereafter. And for more memorable ’80s music, check out 25 Songs Every ’80s Kid Knows By Heart. This all-female metal band was born in St. Paul, Minnesota, in 1980, when lead guitarist and founding member, the late Jan Kuehnemund, was still in high school. After relocating the group to Los Angeles in the mid-’80s, Vixen quickly made a name for themselves and scored a record deal with EMI. The band’s debut album produced a couple of hits—“Cryin’” and “Edge of a Broken Heart”—but its follow-ups failed to keep the momentum going. Though the group soldiered on into the ’90s, Vixen’s brand of in-your-face rock ’n’ roll was one best enjoyed in the pre-flannel decade the band began in. What more needs to be said other than this is the band that gave us the dance floor staple “Funkytown”? In a Minneapolis music scene that had only just begun to take shape, Lipps, Inc. became outliers in 1980 when the group released the now-iconic disco track as the second single off their debut album. It shot straight to the top of the charts, where it remained for a full month. And if you’re more of a ’70s kid, then you’ll appreciate these 25 Huge Bands from the ’70s You Totally Forgot Existed. With their 1987 hit “Breakout,” this synth-y British pop trio broke out of obscurity and into the top spot of the Billboard Hot 100. The band’s debut album, It’s Better to Travel, on which the single appeared, also did quite well—reaching No. 1 on the U.K. charts. Though they’re still active today, It’s Better to Travel—which generated a few additional hits and a couple of Grammy nominations—was the peak of Swing Out Sister’s success. This rap trio rose to popularity as quickly as they fell. The ladies of J.J. Fad—MC J.B., Baby-D, and Sassy C—saw their debut record, the Dr. Dre-produced Supersonic, go gold. Its eponymous single went certified gold, too—and it was nominated for a Grammy. But after an underwhelming sophomore release, J.J. Fad became, well, another ’80s fad. And if you want to reminisce about other ’80s fads, check out 20 Funny Things People in the 1980s Were Totally Guilty of Doing The Jeff Healey Band was led by guitarist Jeff Healey, who went blind from eye cancer at the age of one and played with his guitar laid across his lap. And his blues rock trio managed to defy critics and enjoy mainstream success in the ’80s. Their hit song “Angel Eyes” helped drive the band’s debut album, See the Light, to platinum status, and subsequent releases were well-received by the band’s loyal following. Healey continued to make music in various capacities until he lost his battle with cancer in 2008. Named after America’s past time, but formed in London, this English trio was a huge hit in the ’80s. The Outfield’s debut album, Play Deep, went triple platinum in 1989 on the momentum of its hit single, “Your Love.” After a long career that saw oscillating levels of success, The Outfield officially called it quits in 2014 after the death of lead guitarist John Spinks. Ah, the new wave tinged alt-rock project of songwriting extraordinaire Aimee Mann. Gone before you knew they were even here, ‘Til Tuesday’s claim to fame, other than its masterful frontwoman, was the 1985 top 10 hit “Voices Carry,” which couldn’t be avoided on radio stations or MTV if you tried. Then? Silence. And for other big hits from artists who didn’t withstand the test of time, check out 20 One-Hit Wonders Every ’80s Kid Remembers. This enigmatic Swiss dance music duo is considered to be a pioneering force in electronic music. After a couple successful singles that charted high on both sides of the pond in the 1980s, the band made a comeback in 2016. But they weren’t able to match their ’80s success, which was bolstered by the use of their single “Oh Yeah” in Ferris Bueller’s Day Off, and “Goldrush II,” which you may also know if you’re a fan of Netflix’s ’80s homage series Stranger Things. For more entertainment and pop culture content delivered straight to your inbox, sign up for our daily newsletter. Bonafide rock gods in the U.K., especially during their late-’70s/early-’80s heyday, this British ska-punk band had a bit of a harder time breaking through in the States. That is, of course, until 1983’s “Our House,” which cracked the top 10 with the help of extensive music video airplay on MTV. Madness hasn’t played a show in the U.S. in eight years, but Rolling Stone reports the original lineup will make its triumphant return with a handful of tour dates in the spring of 2020. As the son of the founder of The O’Jays, vocalist Gerald Levert was born with R&B music in his blood. With that being the case, he did the only logical thing possible: Start a band with his brother and make hit records, including five No.1 singles. The Mary Jane Girls were hit-making machines in the ’80s. Protégées of funk legend Rick James, the group’s list of bangers includes “In My House,” “All Night Long,” “Candy Man,” and a cover version of “Walk Like a Man” for the 1986 film A Fine Mess, starring Ted Danson and Howie Mandel. We know they have other songs—even other hits—but mention the name Fine Young Cannibals to any ’80s kid and all they can hear is that iconic opening riff of the British band’s 1989’s chart-topping smash “She Drives Me Crazy.” The theatrical new wave of Bow Wow Wow came from the mind of provocative and controversial rock ’n’ roll renaissance man and former manager of the Sex Pistols, Malcolm McLaren. And the band managed to make tons of waves in the U.K. Fronted by a young teenage girl and backed by Adam and the Ants, sans Adam, the group recorded two studio albums, was accompanied on stage by Boy George, and had a couple of top 10 hits on the U.K. charts before they stopped barking in 1983. Short for Experience Unlimited, this highly influential D.C. go-go band took its percussive approach and funky licks to the masses with ’80s hits like “EU Freeze” and “Da Butt,” the group’s biggest hit, which was featured in Spike Lee’s 1988 film School Daze. These L.A. synth-poppers rode the wave of success on their biggest hit—1984’s “Obsession.” An anthem as bombastic as the decade in which it was released, the track climbed into the top 10 on the Billboard charts and brought instant fame to its creators. A tale as old as time: In an effort to stay relevant, middling ’70s rock band buys synthesizers, writes pop song about sex, slathers it with a glossy sheen of ’80s production value, and watches it climb the charts. Who? The J. Geils Band. What? 1981’s “Centerfold.” Before landing on the Pretty Woman soundtrack in 1990, this Swedish pop duo had a string of hits in the ’80s, including “The Look” and “Listen to Your Heart,” both of which reached No. 1 in 1989. The group released music throughout the ’90s and have sold more than 70 million records, according to NPR. These Canadian rockers are best known for their power ballad “When I’m With You,” which hit No. 1 on the Billboard charts in 1989, six years after its original release.ae0fcc31ae342fd3a1346ebb1f342fcb This English soul band led by vocalist Mick Hucknail enjoyed substantial success in the ’80s and ’90s, but they’re primarily known for their two biggest hits: a cover of the Valentine Brothers’ “Money’s Too Tight (To Mention)” and a Hucknail original, “Holding Back the Years,” which shot to No. 1 on the Billboard charts in 1986. Playing funk out of Flint, Michigan, Ready for the World gained nationwide recognition with their 1985 song “Oh Sheila,” which went straight to the top of the charts. They channeled Prince so effectively that the song is often mistaken as being part of the larger-than-life legend’s catalog instead. Sticking with the funk-bands-from-the-Midwest theme, allow us to re-introduce Dazz Band. This Cleveland collective kicked out plenty of jams, but it was 1982’s “Let It Whip,” off their sophomore release Keep It Live, that earned them a Grammy for Best Performance by an R&B Duo or Group With Vocal. You likely only know this grossly underrated Ohio new wave punk outfit for one of two reasons: You’re a fan of the short-lived but much beloved Sarah Jessica Parker ’80s sitcom Square Pegs, or you’re an enthusiast of subversive Christmas music. That’s not to say The Waitresses’ oeuvre doesn’t warrant your attention otherwise; it does. But their two biggest claims to fame happen to be performing the theme for the aforementioned TV show, and the 1981 indie holiday hit “Christmas Wrapping,” which was famously covered by the Spice Girls. This Atlanta electro-funk band may not ring a bell by name, but they churned out of string of R&B hits in the ’80s, five of which cracked the top 10 on the R&B charts—“Just the Way You Like It,” “Just Be Good to Me,” “The Finest,” “Tell Me If You Still Care,” and “I’m Still Missing Your Love.” Their biggest hit, however, managed to make its way to the top 10 of the Billboard Hot 100: “Take Your Time (Do It Right) Part 1.” The members of this new wave supergroup came from a who’s who of big time British bands of the era—The English Beat, The Specials, Dexy’s Midnight Runners, and The Clash. But, after two successful studio albums, and not being able to generate the kind of attention any of the members’ more famous projects, the band called it quits.
